Alexandre Dossin, considered one of the most brilliant pianists of his generation, has performed in fifteen countries for the last twenty years. He is a prizewinner in International Piano Competitions, and received the Doctor of Musical Arts degree from The University of Texas at Austin, and Master of Fine Arts degree from the Moscow Tchaikovsky Conservatory.

His acclaimed performances are always full of excitement, and combine his complete command of the instrument with a unique emotional depth not usually found in pianists of his age.

Alexandre Dossin uses his eclectic background and understanding of different cultures to enhance his performances of the great classics. He also has a wide and always growing Latin American repertoire.

Presently an Assistant Professor of piano at the University of Louisiana at Lafayette, Dr. Dossin keeps an active performance and teaching career.

 

HONORS AND AWARDS

 

·        Competitor in the Tenth Van Cliburn International Piano competition

·        Graduate Fellowship from the University of Texas at Austin, 1998-1999 academic year

·        Ambassador of Rio Grande – State Award presented by the Rio Grande do Sul State Governor in September 1997, Brazil.

·        Silver Medal and 2nd Honorary Mention – Maria Callas Grand Prix, Athens, Greece, March 1996

·        3rd Prize and Special Prize from the Mozarteum Foundation –W.A. Mozart International Piano Competition, Salzburg, Austria, January 1995

·        4th Prize – Mazara del Vallo International Piano Competition – Mazara del Vallo, Italy, December 1993

·        1st Prize – Edino Krieger National Piano Competition Brusque, Brazil, 1988

·        Hours Concours – Heitor Villa-Lobos Piano Competition Bage, Brazil, 1987

·        2nd Prize – Santa Maria International Piano Competition, Santa Maria, Brazil, l987

   

 

PERFORMANCE EXPERIENCE

 

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solo recitals, chamber music recitals and concerts with orchestras in fifteen countries for the last eighteen years

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performed in radio and TV broadcasts in Brazil, U.S. and Russia

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wide solo and chamber music repertoire

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 more than twenty works for piano and orchestra ready to perform

 

 

 

 

 


 

 

 

 

 

 


EDUCATION

 

The University of Texas at Austin School of Music

D.M.A., Piano Performance – August 2001

GPA: 4.00

Tchaikovsky Conservatory, Moscow, Russia

Advanced Post-Graduate Course, Piano Performance – November 1997

GPA: 4.00

Tchaikovsky Conservatory, Moscow, Russia

M.F.A., Piano Performance – May 1996

GPA: 3.75

 


TEACHING EXPERIENCE

 

 

The University of Texas at Austin School of Music – Coordinator of the Piano Project, 2000-2001 academic year.

·        organized the theory course for the Project

·        conducted theory lessons

·        organized and presented student performances

·        developed the Piano Project web page

 

The University of Texas at Austin School of Music – Teaching Assistant, 1999-2000 and 2000-2001 academic years.

·        conducted group piano and applied lessons at the college level

·        graded mid-term and final juries

·        participated in the organization of student concerts

·        taught basic music theory for group piano students

·        adjudicated student competitions and festivals

·        taught music and non-music majors

 

Kirby Hall School – Piano Teacher for the 1999-2000 and 2000-2001 school years.

·        conducted private lessons with children from all grades

·        organized student performances

 

 

Tchaikovsky Conservatory. Moscow, Russia – Assistantship, 1996-1997 academic year.

·        taught graduate students

·        played extensive concerto repertoire with graduate students

 

 

 

PERFORMANCE EXPERIENCE

 

 

·        solo recitals, chamber music recitals and concerts with orchestras in fifteen countries for the last eighteen years.

·        performed in radio and TV broadcasts in Brazil, U.S. and Russia

·        wide solo and chamber music repertoire

·        more than twenty works for piano and orchestra ready to perform

 

 

 

LANGUAGES

 

 

·        fluent in Portuguese, English, Russian and Spanish

·        basic knowledge of German and Italian

 


 

 

REPERTOIRE

 

 

WORKS FOR PIANO AND ORCHESTRA

 

J.S.BACH:                                   f minor

W.A. MOZART:                   A Major, K.414

                                                        C Major, K.415

                                                        A Major, K.488

L.V.BEETHOVEN:               C Major, no. 1

                                                        Eb Major, no. 5

S.RACHMANINOV:           c minor

                                                        Rhapsody on a Theme by Paganini

D.SCHOSTAKOVITCH:    F Major, no. 2

S.PROKOFIEV:                      D Flat Major, no. 1

F.CHOPIN:                               f minor

F.LISZT:                                     Eb Major

E.GRIEG:                                  a minor

A.KHATCHATURIAN:      Db Major

G. GERSCHWIN:                Rhapsody in Blue  Concert in F

P.TCHAIKOVSKY:               b flat minor

P. HINDEMITH:                    The Four Temperaments

 

 

SELECTED SOLO MUSIC REPERTOIRE

 

 

J.S.BACH:

Chromatik Fantasie and Fugue

French Suite E Major Toccata c minor

Preludes and Fugues:

        I vol:    c minor,  e minor

                    D Major, f#minor

                    d minor, G Major

                    b flat minor, Bb Major

        II vol:  D Major, E Major

                    f minor, A Major, Eb Major

 

W.A.MOZART:

Variations:     D Major, K.573

                        C Major, K.264

Fantasy d minor, K.397

 

Rondo a minor, K.511

Allegro g minor, K.312

Sonatas:     G Major, K.283

                    D Major, K 311

                    C Major, K.330

                    A Major, K.331

                    F Major, K.332

                    C Major, K.545

                    Bb Major, K 570

                    D Major, K.576

 

F.CHOPIN:

Polonaises:    op.40 no. 1, A Major

                        op.53, Ab Major

Barcarola op. 60, F#Major

4 Ballades

Fantasie-Impromptu, op. posth. 66, c# minor

Valses:    op.18, Eb Major

                op.34 no. 1, Ab Major

                op.34 no. 2, a minor

                op.64 no.1, Db Major

                op.69 no.1  Gb Major

                op.70 no. 1  Gb Major

                op.posth. e minor

Etudes op. 10

4 Scherzi

 

F. LISZT:

Sonata in b minor

Etudes by Paganini:     Eb Major

                                        g# minor

Transcendental: f minor, a minor, Eb Major

Consolation Db Major

Nocturne N  3, Ab Major

Apres une lecture du Dante

 

F. SCHUBERT:

4 Impromptus, op.90

6 Moments Musicaux, op. 94

 

 

 

 

 

L.v. BEETHOVEN:

Sonatas:     f minor, op.2 no. 1

                    D Major, op.10 no. 3

                    c minor, op.13

                    c# minor, op.27 no. 2

                    d minor, op.31 no. 2

                    Eb Major, op.31 no. 3

                    g minor, op.49 no. 1

                    G Major, op.49 no. 2

                    f minor, op.57

                    Eb Major, op.81a

                    A Major, op. 101

                    Ab Major, op.110

                    C minor, op.111

 

C.DEBUSSY:

Suite Bergamasque

Etudes VII, X, XII

La plus que lente

Pour le Piano

 

A.GINASTERA:

Sonata op. 22

 

A.BERG:

Sonata op. 1

 


 

ORCHESTRAS ALEXANDRE DOSSIN
HAS PERFORMED WITH INCLUDE:

 

 

Tchaikovsky Conservatory Symphony Orchestra, Moscow, Russia

Sao Paulo Symphony Orchestra, Brazil

Symphony Orchestra of the Russian Ministry of Defense, Moscow, Russia

Novossibirsk Philarmonic Orchestra, Siberia, Russia

Chamber Orchestra “Moscow”, Russia

Theatro Sao Pedro Chamber Orchestra, Brazil

Brazilian Symphony Orchestra, Brazil

Porto Alegre Symphony Orchestra, Brazil

Montevideo Symphony Orchestra, Uruguay

Mozarteum Symphony Orchestra, Salzburg, Austria

Chamber Orchestra “Amadeus”, Moscow, Russia

Yasi Philarmonic Orchestra, Romenia


SELECTED REVIEWS

 

 

“Dossin's approach to the piano is primarily poetical. But it can be the heroic poet as well as the pensive, deeply introspective one. In the Liszt Dante Sonate, the menacing and diabolical poet also muttered, gamboled and even terrorized, an effect that was previewed in the astonishing chromatic contrary double octave passage which ended the First Chopin Ballade.

Dossin's entire concert exhibited a masterful design of tonal dynamics. His Mozart Sonata recalled the fortepiano in scale of sound and judicious use of pedal, but it fully plumbed the enchanting range of colors in the modern piano's quieter tones.  His Chopin and Schumann, while still making use of soft bell-like tones that were a recurring delight, upped the dynamic range in each section of rising intensity.  It was not until the Liszt that Dossin chose to make the bass growl and brewed a storm of bright brass octave sound in all registers of the keyboard, yet his filigree passagework still shimmered with delicate clarity.

Dossin's handling of phrasing and voicing evidenced an obvious devotion and intense involvement with each musical line in all his pieces and his ability to make the piano a servant to his own wish to serve the music. Even the most complex, most rapid thematic material as well as the simplest, had its sense of shape and direction in inner as well as more prominent voices. He made rich use of the pedals in the Romantic works; flawless and fearless octave passages in the Liszt were at times pedaled generously as required but still exhibited a crisp clarity.

Dossin's playing is impressive musicianship at its best.”

The Bryan-College Station Eagle, Texas, 10.25.2000

 

“…familiarity with the keyboard and an agile and delicate touch … master of expressiveness… great technique working for a rare talent. Exceptional pianist.”

Diario Popular, Pelotas, Brazil, 08.15.2000

 

“He is in full process of maturity and is always serious and competent. He is secure of his technical and interpretative capacity.”

Zero Hora, Porto Alegre, Brazil, 08.26.98

 

“Dossin is a phenomenon: his Mozart Sonata was wonderful. He knows very well how to sing Mozart with full control. This is the way that Mozart should be played. Brahms’s Intermezzi op. 117 were more than perfect, sublime. Prokofiev’s Toccata was the apotheosis.”

Zero Hora, Porto Alegre, Brazil, 07.09.97

 

“The soloist, a student of the Moscow Tchaikovsky Conservatory, Alexandre Dossin, was fully artistic and performed Mozart with freedom. In spite of his young age, he showed himself as a fine performer of the great composer.”

Moscovskaya Pravda, Moscow, Russia, 06.23.94

 

 

 

“…Alexandre Dossin is certainly prepared to be a brilliant pianist in the international musical life. And will for sure enter in the selected gallery of the piano virtuosos.”

Zero Hora, Porto Alegre, Brazil, 08.19.90

 

“His ‘Allegros’ from the Haydn Sonata were wonderful, and it was possible to admire the extreme sensibility and technique of Alexandre Dossin, who is still a teenager but has already a wisdom that not every mature musician can find. Liszt’s Liebestraum was perfect, historical; a lesson of good taste and style. His touch is very delicate and the same is related to his performance of Debussy’s Claire de Lune and Chopin’s Fantasie-Impromptu.”

Gazeta do Sul, Santa Cruz do Sul, Brazil, 07.18.1989

 

“…pianist with a great stability and a beautiful sonority. He has a brilliant pianism, great strength of contrasts, technical freedom, personality and intelligence… there are no difficulties for him… exceptional performance. Young performer that has a brilliant technical interpretation. He is already a reality.”

Diario Popular, Pelotas, Brazil, 10.28.88

 

“Instrumentalist with huge possibilities and a sensibility worthy of admiration. He has strong fingers and a beautiful clarity of sound.”

Ultimas Noticias, Montevideo, Uruguay, 10.29.85

 

“A young pianist with perfect performance, fully developed with clarity and elegance, technically and aesthetically.”

El Dia, Montevideo, Uruguay, 10.25.85

 


CAREER HISTORY

 

 

Alexandre Dossin was born in Porto Alegre, Brazil, September 13, 1970, and began to play piano at age five. His first public performance was at age seven and at age eight he performed in the biggest concert hall of his hometown, playing for more than 2000 people. Following this outstanding success, Alexandre Dossin made a broadcast for Brazilian national television and was chosen one of the musical revelations in 1980. In the same year he began to study at the Extension Course of the Federal University of Rio Grande do Sul.  

In 1982 Mr. Dossin made his first piano solo recital and was immediately acclaimed as the most talented artist of his age in Brazil. Since his first public performance, he has constantly appeared on television, radio, newspapers and magazines throughout Brazil.

Mr. Dossin successfully participated in piano competitions in Brazil, receiving Grand Prix and Hours Concours in the Villa-Lobos Competition (1987), First Prize and two Special Prizes in the First Edino Krieger National Piano Competition (1988), 2nd Prize in the Santa Maria International Piano Competition (1987), and a scholarship to study in the United States from the Sul America Competition (1982). He won the Porto Alegre Symphony Orchestra Competition in the years 1984, 1985 and 1986.

At age 14, Alexandre Dossin was invited to be a soloist with the Montevideo Symphony Orchestra (Uruguay), and made a large concert tour in his home state.

In 1989, after participating in the First Brazil-Soviet Union Cultural Seminar, held in Rio de Janeiro, Alexandre Dossin received a full scholarship from the Ministry of Education of Soviet Union. He was selected among the 25 best Brazilian pianists by Professor Boris Romanov, Dean of the Piano Faculty in the Musical College of the Moscow Tchaikovsky Conservatory.

 

In October 1989, Alexandre Dossin moved to Moscow, where he lived until May, l998, having first studied from l989 to l991 at the Musical College of the Moscow Tchaikovsky Conservatory, class of Professor Boris Romanov, and from 1991 to 1997 at the Moscow Tchaikovsky Conservatory, class of Professor Sergei Dorensky.

Alexandre Dossin received the Master of Fine Arts Degree in Piano Performance from the Moscow Tchaikovsky Conservatory in June l996. He also was an Assistant to Professor Sergei Dorensky and finished the Advanced Post Graduate Course in Piano Performance in l997.

                During his years in Moscow, Alexandre Dossin has developed a large piano repertoire and was constantly invited to perform both in solo recitals and with orchestra throughout Russia. Mr. Dossin performed at the best concert halls in Russia, including the Bolshoy Hall of the Moscow Tchaikovsky Conservatory, Great Hall of the Moscow Tchaikovsky Conservatory, Great Hall of the Russian Academy of Music, Rachmaninov Hall, Glinka Museum, Small Hall of the Tchaikovsky Conservatory, Great Hall of the Novossibirsk Philharmonia. Alexandre also performed with the following orchestras in Russia: Tchaikovsky Conservatory Symphony Orchestra, Novossibirsk Philharmonic Orchestra, Ministry of Defense Symphony Orchestra, Chamber Orchestra “Moscow” and others.

During his studies, Alexandre Dossin was selected to participate in International Piano Competitions in Switzerland (Geneva, 1992), Italy (Mazara-del-Vallo, 1993, Bolzano, 1997), Czech Republic (Prague, 1993), South Africa (Pretoria, 1994), Austria (Salzburg, 1995), Greece (Athens, 1996), Great Britain (London, 1997, Glasgow, 1998), Japan, (Hamamatsu, 1997) and in the United States (Forth Worth, 1997).

Alexandre Dossin was awarded the Silver Medal and 2nd Honorable Mention in the Maria Callas Grand Prix (Athens, Greece, 1996), 3rd Prize and Special Prize in the Mozart International Piano Competition (Salzburg, Austria, 1995), and 4th Prize in the Mazara-del-Vallo International Piano Competition (Sicily, Italy, 1993). In May 1997, among more than 200 applications from the best pianists of the world, Alexandre Dossin was one of the 35 selected to take part in the Tenth Van Cliburn International Piano Competition, held in Forth Worth, Texas. After his performance at the Ed Landreth Auditorium, he was invited to move to Texas and pursue the Doctor of Musical Arts in Piano Performance at the University of Texas at Austin, where he studied under the supervision of Professor William Race.

In September 1997, Alexandre Dossin was the youngest person ever to receive the prestigious State Award “Ambassador of Rio Grande do Sul” in Brazil. In May 1998, he moved to Texas, USA, and performed solo recitals in Grapevine and Austin. Mr. Dossin also made several live broadcasts at the KUT FM and KMFA FM radio stations in Austin.

Alexandre Dossin was appointed as a full-time Teaching Assistant at the School of Music for 1999-2001 and also Coordinator of the Piano Project for 2000-2001. Alexandre Dossin studied under the supervision of Professor Gregory Allen during the 1999-2001 academic years.

                Alexandre Dossin recently received the Doctor of Musical Arts Degree cum lauda from the University of Texas at Austin, and keeps an active concert performance in the US, Brazil and Europe. Recent engagements included recitals in Virginia, Paris and Brazil. In July 2000 Alexandre Dossin was one of six semifinalists selected among 120 candidates at the New Orleans International Piano Competition. Alexandre Dossin performed more than 200 recitals and concerts with orchestras in fifteen countries. He appeared in more than 300 articles in newspapers and magazines throughout Brazil, Russia, Japan, Europe and the USA.

Alexandre Dossin is currently an Assistant Professor of Piano at the University of Louisiana at Lafayette.